STAN
SHELLABARGER | Artist Practice
Stan
Shellabarger's performance and book work addresses issues relating to
the body. He often takes mundane, everyday activities like breathing,
walking and writing to extreme measures in endurance-based performance
work: walking from sunrise to sunset on solstices
and equinoxes, counting every breath
he takes in an 8 hour time span, filling notebook after notebook with
his signature.
Shellabarger's work amplifies the traces humans leave on the earth,
as in his walking performances, or on objects, as in his Lightswitch
and Mousepad books. The repetitive
nature and long durations of Shellabarger's performances lead to massive
accumulations of marks and residues that record discrete units of time
and space, elegant testimonies to the ephemeral and transient nature
of life. The repetition of activity is necessary so that the extremely
subtle marks left by these activities emerge as clearly visible artistic
interventions. Despite their laborious process of transcription, the
marks left by his performances are, like the body itself, ephemeral
and transient in nature.
Shellabarger’s recent body of work, Walking
Books marry his performance and book-making impulses. To make the
Walking Books, he paces on long sheets of rag paper with graphite-soled
shoes. His footsteps create a luminous graphite/gray drawing that betrays
the pattern of the surface trod upon. The verso side of the drawing
simultaneously becomes a beautiful blind embossment of this same surface.
He folds the paper accordion style and affixes the ends to waxed MDF
panels that function as the covers of the book. Shellabarger started
this series of books in the summer of 2008 and made
5 of them at the Volta art fair in Basel that June.
The books are dependant on their locations, which include a particle-board
platform in Basel, Switzerland, a parking lot in Portland,
Maine, the floor of Western Exhibitions old location, and a gravel
driveway in Michigan, among several other locations. Shellabarger made
a new book on each Saturday during the run of his 2008 solo show at
Western Exhibitions and made several on the grounds of the 2008 NADA
Art Fair.
Stan Shellabarger's solo shows include a pine-needle installation at
the Hyde Park Art Center in
2009, a 12 x 12 New Work/New Artists exhibition at Chicago's Museum
of Contemporary Art in December 2005, a collaborative show with
his husband Dutes Miller at Western Exhibitions in 2007
and his 2004 solo show at Western
Exhibitions was reviewed in Art in America, artforum.com
and ArtUS. He second solo show with Western Exhibitions in
September 2008 was discussed in the Chicago Tribune, New
City, Art Letter, Flavorpill, and Artslant.
He has been invited perform at the VOLTA show in Basel, Switzerland,
the Time-Based Art Festival in Portland, Oregon; Macy’s downtown
department store window during the Looptopia festival in Chicago; Millennium
Park in Chicago; the Museum of Contemporary Art, Chicago; Illinois State
University in Bloomington, Illinois; The Suburban in Oak Park; and the
Center of Contemporary Art in St. Louis.
He has
been included in shows at inova in Milwaukee, the Chicago Cultural Center
and the Madison Museum of Contemporary Art. Shellabarger received his
MFA from the University of Wisconsin-Madison and lives and works in
Chicago.
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