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Adriane Herman will present "Simu-Lighthouse,"
an ongoing byproduct of her recent move from the "Show Me"
state to "Vacationland." Living in a state where more restaurants
close down than seem to remain open for the winter has affected her
in ways she has not had time to process fully. Notions of the souvenir
as a reminder of, or even ultimately a surrogate for, experience come
as no surprise these days but are certainly more prevalent in one's
daily life "Down East" than in northwest Missouri.
As tourists, we learn to accept the disappointing
reality of the Grand Canyon or the Portland Head Light when we arrive
on a day lacking in the spectacular clear views proffered by innumerable
reproductions of professionally generated (and potentially retouched)
images of the site on postcards, tee-shirts, playing cards, (and art
glass reproductions of paintings of the site by Edward Hopper on page
16 of the Art Institute of Chicago's 2003 Gift Catalog). However what
does this disappointment based in "inferior" experience of
a site infuse into the lives of locals who experience that site on a
regular or even daily basis?
Living in a society where even inveterate
art viewers likely spend more each year on reproductive souvenirs of
their visits to art venues than they do on original works of art has
Herman wondering if the best way to insert her work into the daily life
of her audience is to leapfrog over the stage of the aura-matic object
straight to the souvenir. This inquiry was sparked for Herman when her
mother presented her a "housewarming gift" consisting of two
plastic serving trays she purchased at a dollar store in Florida. In
varying degrees of on-register printing, the trays depict the "world's
most photographed lighthouse," the Portland Head Light, which continues
to serve as a beacon for ships rounding Cape Elizabeth's rocky coast
as they leave or enter Portland Harbor. Herman now habitually visits
this lighthouse with its Made in China doppelganger at the ready to
bolster the experience during cold, overcast or otherwise inferior moments.
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