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April 22
to May 27, 2006
In
Gallery 1
Pedro Velez: GODFUCK | images
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In
Gallery 2
Matthew
Northridge:
Further Afield
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In
Gallery 3
Carroll
& Gaydos:
Plantfucker
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PEDRO
VELEZ
Pedro Velez' third solo show at Western Exhibitions, GODFUCK
contains aggressive and disparate elements aligning themselves in the
form of large scale collages, photography, painting, cute girls, flyers,
sodomy, cement, pseudo performance, Benetton, and Hope, where Velez
questions the making of taste in contemporary society, the curatorial
decision making process, politics, and morality. Featured works include
"Puerto Rican-Jewish Benetton", a large size manipulated Benetton
banner; "Didactic", a series of photographic vinyl banners
depicting images of students acting in front of a drawing made by Velez
on a chalkboard; and "Sad Teddy Bear", a wall of 30 altered
book pages, collages and flyers featuring pages torn from the Illustrated
History of Las Vegas, The History of the Panama Canal, Aunt Louisa's
Book of Fairy Tales, and prints from more intimate sources.
Velez
is an artist, curator and writer who works from both Chicago and his
native Puerto Rico. This show travels to us from his gallery in San
Juan, Galeria Comercial (check out our joint ad in the March Artforum).
Velez' solo shows include Ingalls and Associates in Miami, The Hermetic
Gallery in Milwaukee, TBA Exhibition Space in Chicago and is currently
in Cultural Contamination, curated by Gean Moreno at the Centro Cultural
Espanol in Miami. During the 2005 Miami art fairs, Velez was selected
by NADA to do a special project: HELL IN LAMB UC. He'll be
bringing posters from that project to share. Chicagoans will remember
Velez from his rabble-rousing days as a MFA recipient from the School
of the Art Institute of Chicago as well as the instigator of the publishing
and curatorial project FGA.
MATTHEW
NORTHRIDGE
Drawing on a wealth of aerial photos collected from reference books,
Matthew Northridge's first solo show at Western Exhibitions,
"Further Afield", is a recent installment of an ongoing
series. In each composition, Northridge carefully removes the architecture
from the existing photo, relocating buildings within the confines
of a blank page. Presented as a white void, the landscape becomes
an invisible yet defining element. Northridge's collages often utilize
popular printed material to create idealized, architectonic structures.
Matthew
Northridge has exhibited both nationally and abroad, including The
New Museum of Contemporary Art in New York, The Brooklyn Museum of
Art, The Irish Museum of Modern Art and others. His 2003 solo show
at Gorney Bravin + Lee in New York was reviewed in Art in America
and Time Out New York and his installation in "Out
of Site" at the New Museum was reviewed in Artforum and
The New York Times. In 2005, he was a recipient of a Pollock-Krasner
grant and an artist-in-residence at the Irish Museum of Modern Art.
Northridge received his MFA from the School of the Art Institute of
Chicago and studied at the Skowhegan School of Painting and Sculpture.
He currently lives and works in Brooklyn, New York.
CARROLL
& GAYDOS
Carroll & Gaydos ongoing collaborative series, Plantfucker,
explores an obsession with plant life, thus exposing a new kind of fetish.
In each mixed-media drawing, a gardener is engaged in various sexual
acts with different flora. Using wildly disparate styles, Carroll &
Gaydos mash-up Egon Scheile-esque gestural figure drawing with exquisitely
rendered illustrations of botanicals, a la royal-commissioned prints
of the 19th century.
This
is Carroll and Gaydos' second solo show at Western Exhibitions. They
have exhibited widely throughout the Baltimore/Washington DC area,
including the Delaware Center for Contemporary Art, American University
and the Korean Embassy. Their work has been written about in the Washington
Post, Baltimore City Paper, The Capital Times (Madison)
and the Korea Times. They both received their MFA from Maryland
Institute, College of Art and currently live and work in Baltimore,
Maryland.
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