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1821 W Hubbard, Suite 202
Chicago, IL 60622
312.307.4685
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noon to 6pm
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January 27 to March 3, 2007
No Coast, No Sea
Carl Baratta & Iva Gueorguieva
Carl and Iva's images are here
and
Paola Cabal: Luminaries
Paola images here
Opening Reception:
Saturday, January 27, 6 to 9pm
Show Dates:
January 27 to March 3, 2007
Gallery Hours:
Wednesday thru Saturday, 12 to 6pm
In our Main and Plus Galleries, we present,
in a two-person show, "No Coast, No Sea", new paintings on
paper, canvas and panel by Carl Baratta and Iva Gueorguieva.
In the Drawing Room, we present a painting installation by Paola
Cabal.
Carl Baratta and Iva Gueorguievas
paintings share complicated feelings of sadness, humor, death, and isolation
as they depict physical and psychological bodies under stress. Baratta,
from Chicago and Gueorguieva, from Los Angeles, are longtime friends
who find common formal and conceptual ground in lurid color, bizarre
spatial configurations and elegant pictorial violence.

Carl Baratta, Float Down,
2006
Carl Barattas wildly colorful,
pathos-drenched paintings depict imaginative worlds in moments of constant
transition, creating a tension between static images and dynamic narratives.
Drawing on popular film genres (Martial Arts, Samurai, Yakusa and Kung-Fu),
as well as Persian miniature court painting, European illuminated manuscripts
and English glam rock fashion, Barattas paintings are often bloody
and violent depictions of war and strife. Key to Barattas work
is the compression of multiple events and moments into a single scene,
a common conceit of manuscript paintings. His dramatic spatial shifts,
violent color palette, mismatched characters and exotic landscapes create
a sense of mystery and wonder, leading the viewer on an irresolvable
quest.
Iva Gueorguieva, Trugni-Butni, 2006
In Iva Gueorguievas large, turbulent,
seemingly abstract paintings, vertiginous strokes ascend and twist into
a flurry of sharp-edged calligraphic marks that tell different stories,
some epic, others comic and absurd. By bleeding abstraction into narrative,
she draws attention to the process of painting itself. She uses recurrent
characters--a two-headed fat lady with extraordinary reproductive powers,
a two-headed beast whose two ends perpetually pull him in opposite directions--along
with nude pink innocents, gas-masked rabbits, erect penises and gaping
mouths. These characters draw out and thematize the real power relationships
underlying abstract gesture.
This is Carl Barattas second solo show at Western Exhibitions.
Recent solo shows include Hurt to Death at the Contemporary
Art Workshop in 2006 (which was reviewed in Time Out Chicago), and Pulling
Rabbits Out of Hats at J2 Gallery in Tokyo, Japan in 2005. Group
shows include Roots and Culture, Western Exhibitions, G2, all in Chicago
and the Sara Nightengale Gallery in New York. Carl Baratta received
his MFA from The School of the Art Institute of Chicago and currently
resides in Chicago.
Iva Gueorguieva has an upcoming solo show with Carl Berg Gallery in
Los Angeles in 2007. Other solo shows include Stefan Stux Gallery in
NYC in 2006 and Draka Gallery in Sofia, Bulgaria in 2003 and her work
has been included in group shows at Triple Candie, Massiomo Audiello
Gallery, Alona Kagan Gallery, all in NYC, Angell Gallery in Toronto,
the Contemporary Art Center in New Orleans, and Vox Populi in Philadelphia.
Her work has been written about in the New York Times, Art Papers and
the Times Picayune. Iva received her MFA from the Tyler School of Art
in Philadelphia on 2000 and her residencies include Kaus Australis in
Rotterdam and the Skowhegan School of Painting and Sculpture. She lives
and works in Los Angeles.
| Paola Cabal:
Luminaries

Paola Cabal, Luminaries (detail), 2006-7
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Three large windows make up the
east wall of Western Exhibitions rear gallery (called the
Drawing Room). On a typical day in the winter, we get about one
hour worth of direct sunlight coursing through these windows, so
we asked installation artist Paola Cabal to capture these
sunrays to lighten our mood through the dark hibernation months.
Paola completed her work on December for an installation that will
run through March 3.
Paola calls her pieces interventions: The work is created
on-site and takes its cues from elements inherent to said space.
She intervenes into the space in alternately obvious
and subtle ways, yet maintaining the unique properties of the site.
The play of both sunlight and street-light on, and through, built
structures constitutes the focus of many of her interventions as
she fixes sunlight to the floors and walls of her sites
by spray painting the shadows cast patterns. The result is
what is illuminated when light falls in a built space, and then
what remains after that light fades. Cabal says,
it
is static work, work that exists in space and evokes time, which
has the power to reveal aspects of our constantly shifting lived
experience.
During the opening reception, Gisela Insuaste and Sumakshi Singh
will participate in a one-time performance, interacting with the
painted sunlight installation by Paola Cabal. Sitting still or moving
within the altered space, Insuaste and Singh will be similarly modified
to reflect a particular time and sunlight condition: from alterations
to their bodies to modifications to their clothing, Insuaste and
Singh will appear to reflect lighting conditions not necessarily
present when viewers experience the piece.
Paola Cabal is the 2006 recipient of the Individual Artist Award:
Emerging Artist from the Richard H. Driehaus Foundation. Her interventions
have been seen locally at Northern Illinois University Chicago gallery,
Gallery 312, Polvo and the Ukrainian Museum of Modern Art. In an
on-going, multi-site piece Points of Passage sponsored
by Gallery 400, she preserves sunlight patterns in painted reverse
shadows as they are reflected onto public spaces throughout the
city of Chicago. Her work has been included in shows in Bogota,
Colombia, Pittsburgh, Ft. Lauderdale and South Carolina. She received
her MFA from the School of the Art Institute of Chicago in 2003
and lives and works in Chicago. |
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